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Limelight Academy Archives - LIMELIGHT - 3D projection mapping Limelight Academy Archives - LIMELIGHT - 3D projection mapping

2018 in the Limelight

Oh wow, we achieved a lot in 2018! Let’s see!

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From No Experience in Projection Mapping to Team Member of Limelight – Meet Alex

Awakening

In the fourth and final part of our series introducing the Masterclass Vol. 1 applicants, we bring you the story of Alex, who had no experience in projection mapping before applying to the program, yet he is part of the Limelight team now.

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From Macau to Norway Through the Love of Projection Mapping – Introducing Casber

Sign of Life

Here we go again, this is part three of our series introducing the Masterclass Vol. 1 applicants. Meet Casber, Creative Director and Founder of a multimedia solution studio based in Macau. He’s been working in the field of projection mapping since 2013, and his works include landmarks of Macau such as the Ruins of St Paul’s, the Dream Mall in Taiwan, the Niigata History Museum in Japan, and the Bellevue Palace in Germany. “I found out about Limelight Academy through Facebook, and I straight away got inspired to create the application video, so I didn’t hesitate,” says Casber. “International experience is something I value a lot, so I got excited about the opportunity of working with Limelight and their talented artists,” he adds.

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When Architecture Meets Visuals – Introducing Kasia

The Hum

Part two of our series introducing the Masterclass Vol. 1 applicants is here. Meet Kasia, a Polish architect by trade who has been working as a VJ creating generative visuals for clubs, festivals and gigs.

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Listen, Learn and Do Your Best – Meet Soma

Secrets of the Universe

As Masterclass Vol. 2 is well under its way, we look back at Limelight Academy’s first program and introduce you to the talented applicants, who will tell you about their views on Limelight Academy and the highs and lows of Masterclass Vol 1. We start the series off by introducing Soma, a Hungarian motion graphic designer.

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Limelight in the Limelight

It’s the second time already, and it still moves me. I was so overwhelmed with gratefulness and happiness looking at my screen, seeing the 72 applications from 26 countries, and the enthusiasm you all shared. We have applicants that have a vast amount of experience, and are winners of mapping contests that the Academy aims at offering an alternative for. That’s just a-m-a-z-i-n-g. It’s fucking exhausting, but I kinda want to have a Masterclass every month. Every week. As often as we can. The overwhelming reaction from the scene and the community is proof that this is what we have to do, this is something that you all missed and are happy to have. We are happy to provide you with this opportunity, and we are going to push this as far as we can.

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Dreams Come True: The First Experience with my Lovechild, Limelight Academy

It’s my personal purpose to create artworks that raise awareness and inspire people all around the globe. We’re lucky to create in an art form that can reach millions of people, and even though it usually isn’t considered street art or public art, I have always looked at projection mapping that way. Read more

Limelight Academy – The First Time is the Best Time

Limelight Academy that was born of our Co-Founder, István’s sudden idea, grew into a worldwide, one-of-a-kind program within weeks that he’s now very proud of, and, in his words, “it’s like it’s been with us forever.” And what an amazing start that was! We built up the program in a week and landed our first Projection Mapping Masterclass with Factory Light Festival in Norway. It’s been a dream of István’s to work with them – and dreams come true, right? Read more

A Norwegian Way of Having Fun – About Factory Light Festival

Factory Light Festival is just around the corner, and we can’t wait to see our Limelight Academy Projection Mapping Masterclass applicants showing their artworks to a crowd of locals and art fans from around the world on the amazing concrete silos of the beautiful city of Slemmestad.  Read more

Limelight Academy / A Personal Note and Some Feedback

I had doubts about the number of applications when we launched the program and only had about 10 days before the deadline – due to many other projects we could only fit it to our timeline that way. Artist calls usually appear months before the deadline to allow enough time for spreading the word, and even like that, I often see deadlines extended due to the lack of applicants. We just didn’t have the chance to do it that way – when the idea came it was already late and we just didn’t want to miss the chance to start this exceptional program. Read more