It’s the second time already, and it still moves me. I was so overwhelmed with gratefulness and happiness looking at my screen, seeing the 72 applications from 26 countries, and the enthusiasm you all shared. We have applicants that have a vast amount of experience, and are winners of mapping contests that the Academy aims at offering an alternative for. That’s just a-m-a-z-i-n-g. It’s fucking exhausting, but I kinda want to have a Masterclass every month. Every week. As often as we can. The overwhelming reaction from the scene and the community is proof that this is what we have to do, this is something that you all missed and are happy to have. We are happy to provide you with this opportunity, and we are going to push this as far as we can.
“Education should be free – work should be paid for”
There is a growing number of mapping contests all around the world with different structures and money prize pools. What is common in almost all of them is that they only pay artists for their work in case they win the contest. There’s no professional help or specific education for projection mapping that is for experienced animators entering the contests who have no or limited knowledge and experience in projection mapping, especially outdoors and in large scale.
What an amazing start of 2017
We’re just amazed reading a blog post from Paul Roberts on Creative Bloq about the 14 best mapping demos that will blow your mind! Guess who’s first? Hell yeah it’s our Interconnection piece created for iMapp! It just feels amazing to be selected among such great video mapping artists. So many great artworks in locations like the Sidney Opera House or the Sagrada Familia. Another important part is what the author thinks about projection mapping. After so many years I can still rarely see people getting the point of that form of art so well.
“Often site-specific, the best work enhances rather than effaces the architecture it’s projected onto. The sheer scale can be breathtaking and the illusion of everyday and static objects around us becoming animate and playfully reworked can be incredibly exciting. Just look at the expressions on the audience’s faces during a projection and you see an almost childlike glee.”
We couldn’t have said it better.